Fujifilm X-H1 APS-C Photography Camera

Fujifilm X-H1 APS-C Photography Camera

Fujifilm · X-H1

$1,899.00 MSRP

Key Features

  • APS-C X-Trans CMOS III
  • 5-Axis In-Body Stabilization
  • Subject Detection
  • Up to 14 fps Continuous Shooting
  • Up to 120 fps Video
  • Fujifilm X-Mount

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In the Box

  • 1 × NP-W126S Li-ion Battery
  • 1 × BC-W126 Battery Charger
  • 1 × Body Cap
  • 1 × Cable Protector
  • 1 × Clip Attaching Tool
  • 1 × EF-X8 Shoe-Mount Flash Unit
  • 1 × Hot Shoe Cover
  • 1 × Owner's Manual
  • 1 × Protective Cover
  • 1 × Shoulder Strap
  • 1 × Strap Clip
  • 1 × Sync Terminal Cover
  • 1 × Vertical Power Booster Grip Connector Cover

Colorist

Professional Color Profiles1

Use

  • Fujifilm F-LOG / F-Gamut

    Manufacturer Default13 stops10-bit recommended
    HDRCinemaHybrid Photo/VideoStreaming Delivery

    Fujifilm's standard cinema pairing on the X- and GFX-series video bodies. Because Fujifilm defines F-Gamut as ITU-R BT.2020 outright, this pairing carries a standard container under a manufacturer name — no Fujifilm-specific gamut transform is required, and linearizing the F-Log curve is the whole of the conversion. It places mid gray higher than any other curve in this base, which protects shadows and leaves comparatively little room above middle gray.

    Curve: F-LOG2018

    Fujifilm's first log curve, introduced with the X-T3 generation in 2018 and paired with F-Gamut, which Fujifilm defines as ITU-R BT.2020. It places 18% gray at 0.4593, the highest of any curve in this base, leaving only 5.3 stops of encoding above mid gray. That is the trade behind its 13 stops of curve latitude: more of the code range is spent below middle gray than above it, so shadows are well protected and highlight room runs out sooner than on F-Log2.

    Gamut: F-GamutProprietary · 2018

    Introduced with F-Log for the X-series and later the GFX line. Fujifilm defines it as ITU-R BT.2020 outright — the F-Log data sheet states the compliance — so its primaries are identical to the Rec.2020 record in this base and every one of them is realisable. Being a standard rather than a proprietary space simplifies the grade: no manufacturer-specific gamut transform is required, and only the F-Log curve has to be linearized.

    LUTs & References2

Picture Profiles10

Style
  • Fujifilm EternaCinematic

    Cinematic simulation with low contrast and subdued colors. Designed for video and narrative work, leaving room for color grading.

  • Fujifilm Acros (Monochrome)Monochrome

    Rich black-and-white simulation with fine detail and film-like grain. Available with Yellow, Red, and Green filter options for tonal control.

  • Fujifilm MonochromeMonochrome

    Classic black-and-white rendering with less tonal complexity than Acros. Available with Yellow, Red, and Green filter variations.

  • Fujifilm Provia / StandardNatural

    Balanced and true-to-life color rendering, designed to be a versatile all-purpose option. Works well across portraits, landscapes, and general photography.

  • Fujifilm Astia / SoftPortrait

    Softens contrast and saturation for natural skin tones and gentle color. A favorite for fashion, portraits, and softer scenes.

  • Fujifilm Pro Neg. HiPortrait

    Offers slightly higher contrast while keeping skin tones natural. Good for portraits in brighter conditions where punchier separation is desired.

  • Fujifilm Pro Neg. StdPortrait

    Low-contrast, neutral rendering for natural skin tones. Great for controlled studio portraits and situations requiring subtle tonality.

  • Fujifilm Classic ChromeVintage / Film

    Muted color palette with a filmic, documentary-style look. Creates a timeless aesthetic with restrained tones and deeper shadows.

  • Fujifilm SepiaVintage / Film

    Applies a warm brown tint for an old-fashioned, nostalgic effect. Best for artistic or vintage-style photography.

  • Fujifilm Velvia / VividVivid

    Delivers rich saturation and deep contrast for bold, eye-catching images. Ideal for landscapes, nature, and subjects where color impact matters.