Panasonic LUMIX GH5 II Micro Four Thirds Photography Camera

Panasonic · LUMIX GH
$1,297.00 MSRP
Key Features
- Micro Four Thirds Live MOS
- 5-Axis In-Body Stabilization
- Up to 12 fps Continuous Shooting
- Up to 180 fps Video
- MFT-Mount
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In the Box
- 1 × DMW-BLK22 Battery Pack
- 1 × AC Adapter
- 1 × Battery Charger
- 1 × Battery Grip Connector Cover
- 1 × Body Cap
- 1 × Cable Holder
- 1 × Eye Cup
- 1 × Flash Synchro Socket Cap
- 1 × Hot Shoe Cover
- 1 × Shoulder Strap
- 1 × USB Connection Cable (A-C)
D.I.T. Data Imaging Technician
Resolution
Internal Recording
Aspect Ratio
Frame Rates
Project Frame Rates
Off-Speed Frame Rates
Sensor Modes
Sensor Modes
| Resolution | Recording Area (W × H) | Crop Factor |
|---|---|---|
| Full HD 1920 x 1080 | 6.41 mm × 3.6 mm | 5.89x est. |
| UHD 4K 3840 x 2160 | 12.81 mm × 7.21 mm | 2.94x est. |
| DCI 4K 4096 x 2160 | 13.67 mm × 7.21 mm | 2.8x est. |
| 3.3K 4:3 3328 x 2496 | 11.11 mm × 8.33 mm | 3.12x est. |
Bit Depth & Color Sampling
10-Bit 4:2:0
10-bit 4:2:0 video captures 1,024 shades per color channel, but chroma is subsampled at a quarter of the luma resolution, meaning less color data is stored. This format offers better color depth than 8-bit 4:2:0 and is commonly used for consumer-grade recording and streaming, but it has limitations for intensive color grading and keying.
10-Bit 4:2:2
10-bit 4:2:2 video captures 1,024 shades per color channel, with chroma sampled at half the horizontal resolution of luma, which helps preserve more color detail than 4:2:0. This format strikes a balance between color accuracy and file size, making it ideal for professional broadcast, recording, and moderate color grading work where efficiency and quality are both important.
8-Bit 4:2:0
8-bit 4:2:0 video stores 256 shades per color channel and reduces color resolution by sampling color information (chroma) at one-quarter the rate of brightness (luma). This format is efficient for compression and streaming but offers limited flexibility for color correction and grading compared to higher bit-depth and chroma subsampling formats.
Codecs
AVC
AVC (Advanced Video Coding), also known as H.264, is a widely used video compression standard that balances high video quality with efficient file sizes, making it ideal for streaming, broadcasting, and video storage. It achieves compression by reducing redundancy within the video data, which helps maintain quality while keeping file sizes manageable for various platforms and devices.
HEVC
HEVC (High Efficiency Video Coding), also known as H.265, is a video compression standard that offers improved compression efficiency over its predecessor, AVC, by reducing file sizes while maintaining high video quality. It is widely used for 4K streaming, video conferencing, and storage, as it provides better compression for high-resolution videos without sacrificing detail.
Compression
All-Intra
All-Intra (All-I) compression records each frame as a complete image, meaning every frame is independently encoded without relying on data from other frames. This results in higher quality and more predictable editing performance, making it ideal for post-production workflows that require precise frame-by-frame manipulation.
Long-GOP
Long-GOP (Long Group of Pictures) is a video compression technique that reduces file size by storing only the changes between frames rather than every individual frame. It uses a combination of I-frames (intraframes with full image data), P-frames (predicted frames), and B-frames (bidirectional frames) to efficiently compress video over a sequence of frames. This structure allows for significantly smaller file sizes compared to All-Intra (All-I) compression, which encodes every frame independently. However, Long-GOP can be more processor-intensive to edit, since reconstructing any given frame may require decoding multiple surrounding frames.