Cooke Anamorphic/i S35 65mm T2.6 Macro Cinema Lens with PL-Mount

Overview
The Cooke Anamorphic/i S35 65mm T2.6 Macro Cinema Lens with PL-Mount is a standard anamorphic prime that covers Super 35 mm sensors. A standard focal length sees close to natural human perspective, which suits dialogue and coverage where the framing should not draw attention to itself. Its 2x squeeze produces a 2.66:1 field of view on a 4:3 sensor, commonly cropped to 2.39:1 for delivery. This is the classic scope format and carries the most pronounced anamorphic character. Its macro design captures fine detail and extreme close-ups at 1:4.1 magnification without switching lenses, focusing to 44 cm. A fast T2.6 aperture lets camera operators separate subjects from their backgrounds or get the most out of available lighting when filming in darker environments, and the lens closes to T22. It uses a PL-Mount with manual focus. Cooke /i metadata passes through the mount for post and VFX workflows.
Features
Key Features
300° Focus Throw
Its 300° focus throw is long, spreading distance marks widely for precise, repeatable pulls, with a slower full rack as the trade.
Standard Super 35 mm Coverage
The lens covers Super 35 mm sensors, projecting a 33.5 mm image circle. A standard field of view sits near natural perspective, the neutral option for dialogue and everyday coverage where framing should not announce itself.
2x Anamorphic Squeeze
A 2x squeeze reaches 2.66:1 from a 4:3 sensor, commonly cropped to 2.39:1 for delivery. This is the classic scope format and carries the most pronounced anamorphic character — the widest flares, the most oval bokeh — which is exactly why many productions choose it.
T2.6 Maximum Aperture
At T2.6 the lens separates subjects cleanly from their backgrounds and gets the most out of available lighting when filming in darker environments. It closes to T22.
Macro Design
Focusing to 1:4.1 at 44 cm, the lens fills the frame with small subjects — insert shots, product detail, texture — without a diopter or extension tube. Depth of field at that range is measured in millimeters, and focus is usually set by moving the camera rather than the barrel.
Cooke /i Metadata
The lens reports focus distance, aperture, focal length, and serial number to the camera frame by frame. That metadata travels with the footage into post, where VFX can match a CG camera to the real one instead of measuring the set afterwards.
Mount & Rig Integration
PL-Mount
The lens mounts via PL-Mount, fitting industry-standard cinema cameras and adapting to most modern cinema and hybrid bodies.
0.8-Pitch Cine Gears
The lens carries 0.8-pitch cine gears, the standard pitch for follow focus units and lens motors. Compatibility with lens control systems lets a solo operator make consistent, repeatable focus pulls, or a camera assistant control the lens remotely.
136mm Front Diameter
The front element measures 136mm, which calls for a large-format matte box, or a clamp adapter sized to it. Matte box fit follows from this measurement rather than from the filter thread, since the clamp grips the outside of the barrel.