Fujifilm GFX ETERNA 55 Medium Format Cinema Camera

Fujifilm

$16,500.00 MSRP

Key Features

  • Medium Format CMOS II HS
  • Fujifilm G-Mount and PL-Mount
  • F-LOG and F-LOG 2
  • Up to 119.88 fps

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In the Box

  • 1 Γ— NP-W235 Li-ion Battery
  • 1 Γ— 5.0-inch LCD Monitor
  • 1 Γ— AC Cable
  • 1 Γ— AC-15VS AC Power Adapter
  • 1 Γ— Body Cap
  • 1 Γ— Handle
  • 1 Γ— LCD Attachment
  • 1 Γ— LCD Monitor Hood
  • 1 Γ— PL-Mount Adapter G

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Firmware

  • Fujifilm GFX ETERNA 55 Firmware 1.10FreeJul 15, 2026Details β†—

    Holds white balance steady when a PL lens is attached through the genuine PL mount adapter and improves camera stability during menu operation and recording, along with display accuracy, timecode, and monitor behavior. Earlier releases added ATOMOS ProRes RAW external recording over SDI/HDMI (Ver.1.02, alongside the Blackmagic RAW recorder support already present at launch) and reduced external-monitor display latency while fixing CLIP playback and F-Log2C banding issues (Ver.1.04, Ver.1.06). Ver.1.10 itself adds no recording format; the meaningful recording-format addition in this body's history was Ver.1.02's ATOMOS external RAW recorder support.

  • Fujifilm GFX ETERNA 55 Firmware 1.02FreeDec 11, 2025Details β†—

    Adds the external-recorder recording function to ATOMOS devices, letting the camera output RAW over SDI/HDMI to ATOMOS ProRes RAW recorders (4K and 6K ProRes RAW HQ/Standard SSD destinations) in addition to the Blackmagic RAW output to Blackmagic Video Assist recorders the camera shipped with. It also redesigned the menu screen, shortened response times for FPS/ISO/SHUTTER/ND/WB/PROJECT FPS/RESOLUTION/IMAGE FORMAT changes, and fixed eight smaller bugs (AF locking, timecode reset, aperture changes, aspect-ratio display, timecode sync, monitor display, indicator-lamp behavior, mount-adapter settings, LUT loading).

Fujifilm

All of Fujifilm on Studious β†’

Fujifilm Digital Cinema Cameras

Fujifilm's entry into the dedicated digital cinema camera category came with the GFX Eterna, announced as part of the GFX system's evolution toward video-oriented production tools. Built around the 44Γ—33mm medium-format sensor used in the GFX 100 II, the Eterna pairs that sensor with a cinema-style body featuring active cooling, internal ND filtration, and SDI output β€” addressing requirements that the photo-centric GFX bodies do not meet for sustained narrative production. The camera supports the G mount natively and is compatible with the company's growing roster of cinema-graded GF lenses.

The Eterna's development reflects a broader industry trend of large-format sensors entering professional motion-picture workflows, where the optical characteristics of medium format β€” shallow depth of field at equivalent focal lengths, smoother tonal gradation in highlights and shadows β€” offer aesthetic options distinct from Super 35 or full-frame digital cinema platforms. Fujifilm's positioning emphasizes integration with its existing F-Log gamma and Eterna film simulation, leveraging the company's history in motion-picture film stocks. The cinema camera initiative places Fujifilm in a category previously dominated by ARRI, RED, and Sony's CineAlta line.

Contact Fujifilm

Fujifilm GFX ETERNA 55 Medium Format Cinema Camera β€” Studious Database