Sigma 24-35mm ƒ/2 DG HSM Art Photography Lens with EF-Mount

Sigma 24-35mm ƒ/2 DG HSM Art Photography Lens with EF-Mount

Sigma · Art Series DG HSM

$999.00 MSRP

Key Features

  • Wide Full Frame Coverage
  • ƒ/2 Maximum Aperture
  • Autofocus
  • 1:4.4 Maximum Magnification
  • 82mm Filter Thread

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In the Box

  • 1 × Case
  • 1 × Front Cap LCF-82mm III
  • 1 × Lens Hood LH876-03
  • 1 × Rear Cap LCR II

Overview

The Sigma 24-35mm ƒ/2 DG HSM Art Photography Lens with EF-Mount is a wide-angle 24-35mm zoom covering Full Frame sensors. Wide coverage places a subject inside its setting rather than isolating it, the framing environmental portraiture and street photography are built on. A fast ƒ/2 maximum aperture separates subject from background and keeps shutter speeds up as the light falls, closing to ƒ/16. Autofocus lets the camera's own subject detection drive the lens, which is what makes it usable for tracking moving subjects and for video. It mounts via EF-Mount. Closest focus is 11 in, for a maximum magnification of 1:4.4.

Features

Key Features

Wide Full Frame Coverage

The lens covers Full Frame sensors. A wide field of view keeps a subject in its surroundings, which is what environmental portraits, street photography and landscape work call for.

ƒ/2 Maximum Aperture

A fast ƒ/2 aperture separates a subject from its background and holds shutter speed up in poor light, and the lens closes to ƒ/16.

Autofocus

The lens focuses under the camera's control, so hybrid shooters can use the body's own subject detection and tracking rather than pulling focus by hand — the difference between catching a moving subject and losing it.

1:4.4 Maximum Magnification

A maximum magnification of 1:4.4 sets how large a small subject renders on the sensor, with a closest focus of 11 in.

82mm Filter Thread

Optical Design

24-35mm Zoom Range

The 24-35mm range covers a scene without a lens change, which travel, event and documentary work depend on.

Mount & Build

EF-Mount

The lens mounts via EF-Mount, which sets the bodies it fits directly and those it reaches through an adapter.

Electronic Lens Communication

Contacts in the mount pass aperture, focus and focal length between lens and body, so exposure data is recorded to EXIF and in-camera corrections for distortion and vignetting apply automatically.