Sigma 24-35mm ƒ/2 DG HSM Art Photography Lens with F-Mount

Sigma · Art Series DG HSM
$999.00 MSRP
Key Features
- Wide Full Frame Coverage
- ƒ/2 Maximum Aperture
- Autofocus
- 1:4.4 Maximum Magnification
- 82mm Filter Thread
🔒 Log in to add this to a kit.
In the Box
- 1 × Case
- 1 × Front Cap LCF-82mm III
- 1 × Lens Hood LH876-03
- 1 × Rear Cap LCR II
Overview
The Sigma 24-35mm ƒ/2 DG HSM Art Photography Lens with F-Mount is a wide-angle 24-35mm zoom covering Full Frame sensors. Wide coverage places a subject inside its setting rather than isolating it, the framing environmental portraiture and street photography are built on. A fast ƒ/2 maximum aperture separates subject from background and keeps shutter speeds up as the light falls, closing to ƒ/16. Autofocus lets the camera's own subject detection drive the lens, which is what makes it usable for tracking moving subjects and for video. It mounts via F-Mount. Closest focus is 11 in, for a maximum magnification of 1:4.4.
Features
Key Features
Wide Full Frame Coverage
The lens covers Full Frame sensors. A wide field of view keeps a subject in its surroundings, which is what environmental portraits, street photography and landscape work call for.
ƒ/2 Maximum Aperture
A fast ƒ/2 aperture separates a subject from its background and holds shutter speed up in poor light, and the lens closes to ƒ/16.
Autofocus
The lens focuses under the camera's control, so hybrid shooters can use the body's own subject detection and tracking rather than pulling focus by hand — the difference between catching a moving subject and losing it.
1:4.4 Maximum Magnification
A maximum magnification of 1:4.4 sets how large a small subject renders on the sensor, with a closest focus of 11 in.
82mm Filter Thread
Optical Design
24-35mm Zoom Range
The 24-35mm range covers a scene without a lens change, which travel, event and documentary work depend on.
Aperture Control
Hybrid Aperture Control
Aperture can be set either on the ring or electronically from the camera body, so the lens suits a photographer working from the barrel and a hybrid shooter driving exposure from the body without either giving anything up.
Mount & Build
F-Mount
The lens mounts via F-Mount, which sets the bodies it fits directly and those it reaches through an adapter.
Electronic Lens Communication
Contacts in the mount pass aperture, focus and focal length between lens and body, so exposure data is recorded to EXIF and in-camera corrections for distortion and vignetting apply automatically.