Sirui 75mm ƒ/1.8 1.33x Anamorphic Cinema Lens with Z-Mount

Sirui

$424.00 MSRP

Key Features

  • Telephoto Super 35 mm Coverage
  • 1.33x Anamorphic Squeeze
  • ƒ/1.8 Maximum Aperture

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In the Box

  • 1 × Front Lens Cap
  • 1 × Rear Lens Cap
  • 1 × Sirui 75mm f/1.8 1.33x Anamorphic Lens (Nikon Z)

Overview

The Sirui 75mm ƒ/1.8 1.33x Anamorphic Cinema Lens with Z-Mount is a telephoto anamorphic prime that covers Super 35 mm sensors. Telephoto focal lengths compress perspective and throw backgrounds well out of focus, letting camera operators isolate a subject from a busy environment or reach action at a distance. Its 1.33x squeeze produces a 2.36:1 field of view on a 16:9 sensor, the gentlest of the common squeeze factors and the easiest to pair with a standard 16:9 body. Anamorphic character is present but restrained. A fast ƒ/1.8 aperture lets camera operators separate subjects from their backgrounds or get the most out of available lighting when filming in darker environments, and the lens closes to ƒ/16. It uses a Z-Mount with manual focus.

Features

Key Features

Telephoto Super 35 mm Coverage

The lens covers Super 35 mm sensors. A telephoto field of view compresses distance and lifts a subject off its background, suiting clean singles and action reached from further back.

1.33x Anamorphic Squeeze

A 1.33x squeeze reaches 2.36:1 from a 16:9 sensor, the gentlest of the common anamorphic factors and the easiest to pair with a standard 16:9 body. Flares and oval bokeh are present but restrained, which suits work that wants anamorphic character without it taking over the frame.

ƒ/1.8 Maximum Aperture

At ƒ/1.8 the lens separates subjects cleanly from their backgrounds and gets the most out of available lighting when filming in darker environments. It closes to ƒ/16.

Focus & Handling

1.2 m Minimum Focus

Mount & Rig Integration

0.8-Pitch Cine Gears

The lens carries 0.8-pitch cine gears, the standard pitch for follow focus units and lens motors. Compatibility with lens control systems lets a solo operator make consistent, repeatable focus pulls, or a camera assistant control the lens remotely.