Sony FX6 Full-Frame 4K Cinema Camera

Sony FX6 Full-Frame 4K Cinema Camera

Sony · Sony FX Cinema Cameras

$5,998.00 MSRP

Key Features

  • Full Frame Exmor R CMOS
  • S-LOG 3
  • Up to 240 fps
  • E-Mount

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Firmware

  • Sony FX6 Firmware 6.01FreeSep 1, 2026Details ↗

    Fixes an issue where the EI value was not reflected correctly during Cine EI playback, fixes playback-audio noise after extended runs of clips recorded at 59.94p and 23.98p, and improves color reproduction in highly saturated areas; no new recording capability over Ver.6.00. Ver.6.00 (2026-03-18), which this supersedes, added the BIG6 home-screen shooting display and, for the first time, 4K recording up to 120p in a Super 35mm crop (previously 100/120p was Full-Frame only) alongside 100p/120p added to the RAW/RAW&XAVC-I Slow & Quick Motion menu, and RAW video output over HDMI for external Blackmagic RAW recording; earlier, Ver.2.00 (2022-01-27) added the FX6's first RAW-output capability (ProRes RAW over HDMI to an Atomos Ninja V/V+, 4.2K up to 60p, extended to 4K 120p with the Ninja V+ Pro Kit/SDI module), and Ver.4.00 (2023-08) added anamorphic de-squeeze monitoring, Cine EI Quick, and CineAlta-style file naming (not recording-format changes). No recording format was added in Ver.6.01 itself.

  • Sony FX6 Firmware 6.00FreeMar 18, 2026Details ↗

    Adds 4K recording up to 120p in a Super 35mm crop (previously 100/120p was Full-Frame only), adds 100p/120p to the RAW and RAW&XAVC-I Slow & Quick Motion menu, and adds RAW video output over HDMI for external Blackmagic RAW recording, alongside the BIG6 home screen.

  • Sony FX6 Firmware 2.00FreeJan 27, 2022Details ↗

    Adds the FX6's first RAW output capability: 16-bit RAW over HDMI to an Atomos Ninja V/V+ for ProRes RAW recording at up to 4.2K 60p, extended to 4K 120p with the Ninja V+ Pro Kit/SDI RAW Activation module.

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Sony logoSony Digital Cinema Cameras

Sony has played a defining role in the evolution of digital cinema, bridging the gap between broadcast engineering and motion picture production. From the early days of the CineAlta line—pioneered by cameras like the F900, which helped usher in the HD era—to the modern Venice series, Sony has consistently pushed the boundaries of digital image capture. Their commitment to full-frame sensors, wide color gamuts (like S-Gamut3.cine), and robust recording codecs such as X-OCN has made Sony a leader in professional cinema workflows, trusted by filmmakers ranging from indie creators to major studios.

One of Sony’s greatest contributions lies in their sensor innovation. The company’s Exmor and later Exmor R and Exmor RS technologies have set industry benchmarks for dynamic range, low-light sensitivity, and color fidelity. These advancements not only power the Venice cinema line but also influence a broad range of mirrorless and broadcast cameras. The Venice’s dual base ISO, internal ND system, and extensive lens-mount flexibility (including E-mount and PL) demonstrate Sony’s understanding of on-set needs and cross-department collaboration between cinematography, lighting, and data management teams.

Beyond hardware, Sony’s impact is deeply tied to ecosystem thinking. Their integration of workflow tools—from RAW recording and post-production LUTs to metadata pipelines—has streamlined the connection between set and post. Whether capturing an independent feature or a large-scale television series, Sony’s digital cinema cameras have become synonymous with reliability, color science versatility, and future-ready design—cementing their place as one of the cornerstones of modern digital filmmaking.

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