- ALEXA 35 - ARRI Textures Technical NoteReference MaterialsPDF
Technical reference for the ARRI Textures feature on ALEXA 35 — explains how textures shape image character at the sensor processing stage.
- ALEXA 35 - Custom TexturesReference MaterialsWeb ↗
Custom textures package for ALEXA 35 (Super Nostalgic, Extreme Nostalgic). Applies to ALEXA 35.
- ALEXA 35 Xtreme - Supporting Tools & SoftwareReference MaterialsPDF
Reference for the ALEXA 35 Xtreme supporting tools and software ecosystem.
- ARRI Camera Access Protocol (CAP) Feature ListReference MaterialsPDF
Feature reference for ARRI's Camera Access Protocol — enables 3rd-party tools to query and control ARRI camera state. Applies to ALEXA SXT, LF, 65, AMIRA, Mini, Mini LF, and ALEXA 35.
- ARRI DPX Multichunk DataReference MaterialsPDF
Reference for ARRI's DPX Multichunk format used in ALEXA archive workflows.
- ARRI Formats and Resolutions OverviewReference MaterialsPDF
Comprehensive reference for sensor modes, resolutions, and recording formats across ARRI's modern camera lineup. v6.1.
- ARRI LogC3 SpecificationReference MaterialsPDF
Specification of ARRI LogC3 used across legacy ARRI cameras (ALEXA Classic, Mini, AMIRA, LF, Mini LF, 65). Note: superseded by LogC4 on ALEXA 35.
- ARRI LogC4 LUT PackageReference MaterialsWeb ↗
Color space conversion 3D LUTs (.cube) for LogC4. Applies to ALEXA 35 and ALEXA 265.
- ARRI LogC4 SpecificationReference MaterialsPDF
Formal specification of the ARRI LogC4 logarithmic curve, part of REVEAL Color Science. Applies to ALEXA 35 and ALEXA 265.
- ARRI Look Library for LogC4 (3D-LUTs)Reference MaterialsWeb ↗
Creative look LUTs in LogC4-to-LogC4 mapping for ALEXA 265, ALEXA 35, and ALEXA 35 Xtreme.
- ARRI Look Library LogC3 (3D-LUTs)Reference MaterialsWeb ↗
Creative look LUTs in LogC3-to-LogC3 mapping for ALEXA Classic, Mini, AMIRA, ALEXA 65, ALEXA LF, and ALEXA Mini LF.
- ARRI LUT GeneratorReference MaterialsWeb ↗
ARRI's online tool for generating custom LUTs for LogC3 material to a chosen output; ARRI states it does not support LogC4.
- ARRI MXF/ProRes Metadata SpecificationReference MaterialsPDF
Specification for ARRI's metadata embedded in MXF and ProRes container files — v3.0.0.10 reference.
- ARRI Supported Recording Media OverviewReference MaterialsPDF
ARRI's authoritative matrix (PDF, Aug 2025) of certified and discontinued recording media per camera, with ARRI part numbers and required firmware.
- ARRI Technical Downloads — LUT Packages and Look LibrariesReference MaterialsWeb ↗
ARRI's technical downloads page, carrying the LogC3 and LogC4 LUT packages (3D .cube color space conversions for LogC3/AWG3 and LogC4/AWG4), the log-to-log Look Libraries and the LUT naming-convention guideline.
- Myth and Reality of GenLock (and Sync Shift)Reference MaterialsPDF
ARRI engineering paper clarifying common misconceptions about GenLock and Sync Shift in production environments.
- Synchronization of ARRI Cameras with 3rd Party DevicesReference MaterialsPDF
Reference for syncing ARRI cameras with external timecode generators, motion control, and 3rd-party gear.
- ALEXA SXT Look Management White PaperWhite PaperPDF
ARRI white paper on the look management workflow specific to the ALEXA SXT generation.
- AMIRA & ALEXA Mini - Color by NumbersWhite PaperPDF
ARRI white paper on the color science behind AMIRA and ALEXA Mini cameras.
- Apple ProRes White Paper (ARRI implementation)White PaperPDF
ARRI's reference document on ProRes encoding within ALEXA cameras — covers ProRes flavors, recording rates, and quality considerations.
- ARRI Dynamic Range White PaperWhite PaperPDF
Explains how ARRI measures dynamic range across its camera lineup, including methodology and stop count interpretation.
- ARRI Recording Media — CFast 2.0 & SxS PRO+ Cards White PaperWhite PaperPDF
ARRI white paper (PDF, Oct 2025) covering CFast 2.0 and SxS PRO+ recording media usage in ARRI cameras.
- ARRI SDI Metadata White PaperWhite PaperPDF
Reference for reading ARRI's extended metadata embedded in the SDI signal across all current ARRI digital cameras (ALEXA 35, Mini LF, LF, Mini, AMIRA, 65, 265, SXT, XT).
- ARRI Texture Control White Paper (legacy)White PaperPDF
Legacy white paper on ARRI's earlier Texture Control feature — distinct from the newer ARRI Textures on ALEXA 35.
- ARRICORE White PaperWhite PaperPDF
ARRI's whitepaper introducing the ARRICORE platform — the company's next-generation camera architecture and shared technology base.
- Avid DNxHD Technology White PaperWhite PaperPDF
Reference document for Avid DNxHD codec implementation in ARRI cameras supporting MXF-DNxHD recording.
- Recording Formats for Cinematic ReleaseWhite PaperPDF
ARRI white paper on selecting recording formats for theatrical/cinematic deliverables (FCR & FSTD format guidelines).
- ALEXA 35 - Anamorphic Formats in Post-Production Workflow GuidelineTutorialsPDF
Workflow guide for anamorphic shooting on ALEXA 35 covering desqueeze, framing, and post-production handling.
- ALEXA 35 - Shooting in Low Light Quick GuideTutorialsPDF
Quick reference for low-light shooting techniques on ALEXA 35 and ALEXA 35 Xtreme — ISO selection, sensor noise considerations, lighting recommendations.
- Color Workflows for Mixing ARRI LogC3 and LogC4 (with Sample Projects)TutorialsPDF
Workflow guide and sample projects for productions mixing LogC3 and LogC4 source material in color grading.
- How to create an ARRI Look File 4 - Workflow GuidelineTutorialsPDF
Step-by-step guide for creating ALF-4 look files. Applies to ALEXA 35, ALEXA 35 Xtreme, and ALEXA 265.
- How to set up Pomfort Livegrade for ARRI CamerasTutorialsPDF
Configuration guide for using Pomfort Livegrade with ARRI cameras for on-set look management.
- LUT Naming Convention LogC4 and LogC3 - GuidelineTutorialsPDF
ARRI's official documentation explaining LUT file naming conventions for LogC3 and LogC4, ensuring correct LUT selection in post.
- Mixing ARRI LogC3 and LogC4 On Set - GuidelineTutorialsPDF
On-set workflow guide for shoots using both LogC3 and LogC4 cameras (using ACES as the unifying color space).
- OCF in Adobe Premiere Pro - Workflow GuidelineTutorialsPDF
Working with ARRI Original Camera Footage (OCF) in Adobe Premiere Pro — import, color management, and finishing tips.
- Rendering Dailies in DaVinci Resolve - Workflow GuidelineTutorialsPDF
Production-ready dailies workflow for ARRI footage in DaVinci Resolve.
- ARRI CFast 2.0 Cards — Product PageManufacturer PagesWeb ↗
Official ARRI page for certified CFast 2.0 recording media for ALEXA Mini and AMIRA.
