Sony FX30 Super 35 4K Hybrid Cinema Camera

Sony · Sony FX Cinema Cameras
$1,798.00 MSRP
Key Features
- APS-C Exmor R CMOS
- E-Mount
- S-LOG 3
- Up to 240 fps
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In the Box
- 1 × Sony FX30 Digital Cinema Camera
- 1 × Sony FX30 Digital Cinema Camera
- 1 × Sony NP-FZ100 Battery (2280mAh)
- 1 × Sony NP-FZ100 Battery (2280mAh)
- 1 × Sony AC Adapter
- 1 × Sony AC Adapter
- 1 × Sony ALC-B1EM Body Cap for E-Mount Cameras
- 1 × Sony ALC-B1EM Body Cap for E-Mount Cameras
- 1 × Sony Multi Interface Shoe Cap
- 1 × Sony Multi Interface Shoe Cap
- 1 × USB-A to USB-C Cable (USB 3.2)
- 1 × USB-A to USB-C Cable (USB 3.2)
The Archive
Documents
- Sony FX30 — Help GuideManualWeb ↗
Sony online Help Guide (operating manual) for the ILME-FX30.
- Sony FX30 — Operating Manual (PDF)ManualPDF
Printable full operating manual PDF for the FX30.
- Sony FX30 — Support & FirmwareFirmware & UpdatesWeb ↗
Sony support hub: firmware, Q&A and compatibility for the ILME-FX30.
- Sony Cinema Line up 2025ChartPDF
A lineup of Sony's cinema-focused products.
- Sony FX30 — Product PageManufacturer PagesWeb ↗
Official Sony US product page for the FX30 Super 35 / APS-C Cinema Line camera.
Firmware
Optimizes user-LUT processing and improves overall stability; no new recording capability over Ver.6.00. Ver.6.00 (2025-08-26), which this supersedes, added the BIG6 home-screen shooting display, a Fixed/Variable S&Q frame-rate entry mode, 1.6x anamorphic de-squeeze monitoring, and RAW video output over HDMI for external recording (including to Blackmagic RAW-capable recorders) - the FX30's first RAW-output capability; earlier, Ver.2.00 (2023, paired with the FX3's Ver.3.00 release) added XAVC S-I DCI 4K (4096 x 2160) recording at true 24.00p. No recording format was added in Ver.6.01 itself.
Adds RAW video output over HDMI for external recording, including support for external Blackmagic RAW capture on a compatible recorder - the FX30's first RAW output capability - alongside the BIG6 home screen, 1.5x/1.6x anamorphic de-squeeze, and Fixed/Variable S&Q frame-rate entry.
Adds XAVC S-I DCI 4K (17:9, 4096 x 2160) recording at true 24.00p, plus 1.3x/2.0x anamorphic de-squeeze monitoring, released the same day as the FX3's Ver.3.00 update.
Sony
Sony Digital Cinema Cameras
Sony has played a defining role in the evolution of digital cinema, bridging the gap between broadcast engineering and motion picture production. From the early days of the CineAlta line—pioneered by cameras like the F900, which helped usher in the HD era—to the modern Venice series, Sony has consistently pushed the boundaries of digital image capture. Their commitment to full-frame sensors, wide color gamuts (like S-Gamut3.cine), and robust recording codecs such as X-OCN has made Sony a leader in professional cinema workflows, trusted by filmmakers ranging from indie creators to major studios.
One of Sony’s greatest contributions lies in their sensor innovation. The company’s Exmor and later Exmor R and Exmor RS technologies have set industry benchmarks for dynamic range, low-light sensitivity, and color fidelity. These advancements not only power the Venice cinema line but also influence a broad range of mirrorless and broadcast cameras. The Venice’s dual base ISO, internal ND system, and extensive lens-mount flexibility (including E-mount and PL) demonstrate Sony’s understanding of on-set needs and cross-department collaboration between cinematography, lighting, and data management teams.
Beyond hardware, Sony’s impact is deeply tied to ecosystem thinking. Their integration of workflow tools—from RAW recording and post-production LUTs to metadata pipelines—has streamlined the connection between set and post. Whether capturing an independent feature or a large-scale television series, Sony’s digital cinema cameras have become synonymous with reliability, color science versatility, and future-ready design—cementing their place as one of the cornerstones of modern digital filmmaking.
More in the Sony FX Cinema Cameras Series
Contact Sony
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